Bach - Keyboard Works Attributed to J.S. Bach
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This edition complements the volume of Keyboard Works of Doubtful Authenticity (BA 5250).
It contains works which have survived bearing Johann Sebastian Bach’s name or were later attributed to Bach, but where Bach has been ruled out as a composer in the opinion of the editors on stylistic grounds or following a critical examination of the sources. But having said that, it is hard to be negative about these compositions of consistently high quality. Furthermore, this is a largely unknown repertoire; almost half of the pieces in the volume are previously unpublished. As a result, this edition invites curious and open-minded musicians on a voyage of discovery.
“In fact this is the perfect source material for student editions and Interpreters, training them to think and ‘play Baroque’ without the usually printed help, and in guaranteed-unfamiliar music. Rewarding albums.”
(Music Teachers, Sept. 09)
- Vorwort
- Preface
- Sarabande g-Moll BWV 839
- Fuge a-Moll BWV 897/2
- Präludium und Fuge B-Dur über den Namen Bach BWV 898
- Fantasie g-Moll BWV 920
- Fuge e-Moll BWV 945
- Fuge e-Moll BWV 960 (Fragment)
- Suite F-Dur BWV Anh. 80
- Gigue G-Dur Anh. 81
- Fantasie c-Moll BWV ANh. 86
- Fantasie C-Dur BWV Anh. 87: Erste Fassung / First Version, Zweite Fassung / Second version
- Fuge C-Dur BWV Anh. 89
- Fuge e-Moll BWV Anh. 95
- Fuga G-Dur BWV Anh. 91
- Fuga e-Moll BWV Anh. 93
- Fuge G-Dur BWV Anh. 92
- Fuge D-Dur BWV Anh. 96
- Fuge d-Moll BWV Anh. 98
- Fuge d-Moll BWV Anh. 99
- Fuge d-Moll BWV Anh. 100
- Fuge d-Moll BWV Anh. 100 - Variante / Alternative version
- Fuge es-Moll BWV Anh. 102
- Drei Fugen über B A C H:
- 1. Fuge C-Dur BWV Anh. 107
- 2. Fuge C-Dur BWV Anh. 108: Fassung a / Versin a, Fassung b / Version b
- 3. Fuge c-Moll BWV Anh. 110
- Contrapunctus alla Decima. B A C H BWV Anh. 109
- Largo und Allegro BWv Anh. 111
- Fuge d-Moll BWV Anh. 180
- Fuge C-Dur BWV deest
- Fuge c-Moll BWV deest
- Fuge h-Moll BWV deest
- Fuge c-Moll BWV deest
- Kritischer Bericht
- Critical Commentary
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